Do you want to be on the forefront of literature? Read the books right of the press, the ink still wet on the page? We handpick the best of the best of the newest of the newest books for you every week. Books that seem interesting to us and that you might like as well.
Early January is the time for heavy and serious YA novels, as well as modern gothic stories. It’s good to be back.
This is Where it Ends
The principal of Opportunity, Alabama’s high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.
The students get up to leave the auditorium for their next class.
The auditorium doors won’t open.
Someone starts shooting.
Told over the span of 54 harrowing minutes from four different perspectives, terror reigns as one student’s calculated revenge turns into the ultimate game of survival.
Thicker than Water
Cecelia Price killed her brother. At least, that’s what the police and the district attorney are saying. And although Cecelia is now locked up and forced into treatment, she knows the real story is much more complicated.
Cyrus wasn’t always the drug-addled monster he’d become. He was a successful athlete, but when an injury forced him off the soccer field and onto pain medication, his life became a blur of anger, addiction, and violence. All CeCe could do was stand by and watch, until she realized one effective way to take away her brother’s drugs while earning the money she needed for college: selling the pills.
Soon, CeCe becomes part drug dealer, part honor student. But even when all she wants is to make things right, she learns that sometimes the best intentions lead to the worst possible outcome.
Thicker than Water is an unforgettable dark, harrowing look into the disturbing truth of drug addiction and the desperate love of a sister watching her brother deteriorate before her eyes.
A contemporary gothic from an author in the company of Kelly Link and Aimee Bender, Mr. Splitfoot tracks two women in two times as they march toward a mysterious reckoning.
Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?
In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.
The Children’s Home
For fans of Shirley Jackson, Neil Gaiman, Roald Dahl, and Edward Gorey, a beguiling and disarming debut novel from an award-winning British author about a mysterious group of children who appear to a disfigured recluse and his country doctor,and the startling revelations their behavior evokes.
In a sprawling estate, willfully secluded, lives Morgan Fletcher, the disfigured heir to a fortune of mysterious origins. Morgan spends his days in quiet study, avoiding his reflection in mirrors and the lake at the end of his garden. One day, two children, Moira and David, appear. Morgan takes them in, giving them free reign of the mansion he shares with his housekeeper Engel. Then more children begin to show up.
Dr. Crane, the town physician and Morgan’s lone tether to the outside world, is as taken with the children as Morgan, and begins to spend more time in Morgan’s library. But the children behave strangely. They show a prescient understanding of Morgan’s past, and their bizarre discoveries in the mansion attics grow increasingly disturbing. Every day the children seem to disappear into the hidden rooms of the estate, and perhaps, into the hidden corners of Morgan’s mind.
The Children’s Home is a genre-defying, utterly bewitching masterwork, an inversion of modern fairy tales like The Chronicles of Narnia and The Golden Compass, in which children visit faraway lands to accomplish elusive tasks. Lambert writes from the perspective of the visited, weaving elements of psychological suspense, Jamesian stream of consciousness, and neo-gothic horror, to reveal the inescapable effects of abandonment, isolation, and the grotesque – as well as the glimmers of goodness – buried deep within the soul.
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