Do you want to be on the forefront of literature? Read the books right of the press, the ink still wet on the page? We handpick the best of the best of the newest of the newest books for you every week. Books that seem interesting to us and that you might like as well.
This week we have a YA novel dealing with the issue of consent and a very big new Russian novel. All The Major Constellations deals with spirituality, identity and sexuality while Bird deals with longing.
In this sexy and intriguing novel, an intense—and passionate—bond between a high school senior and her music teacher becomes a public scandal that threatens the reputation of both.
Bea has a secret.
Actually, she has more than one. There’s her dream for the future that she can’t tell anyone—not her father and not even her best friend, Plum.
And now there’s Dane Rossi. Dane is hot, he shares Bea’s love of piano, and he believes in her.
He’s also Bea’s teacher.
When their passion for music crosses into passion for each other, Bea finds herself falling completely for Dane. She’s never felt so wanted, so understood, so known to her core. But the risk of discovery carries unexpected surprises that could shake Bea entirely. Bea must piece together what is and isn’t true about Dane, herself, and the most intense relationship she’s ever experienced in this absorbing novel from Nancy Ohlin, the author of Beauty.
The Big Green Tent
An absorbing novel of dissident life in the Soviet Union, by one of Russia’s most popular writers.
The Big Green Tent is the kind of book the term “Russian novel” was invented for. A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.
All The Major Constellations
Laura Lettel is the most beautiful girl in the world. . . and Andrew’s not-so-secret infatuation.
Now he’s leaving high school behind and looking ahead to a fresh start at college and distance from his obsessive crush. But when a terrible accident leaves him without the companionship of his two best friends, Andrew is cast adrift and alone—until Laura unexpectedly offers him comfort, friendship, and the support of a youth group of true believers, fundamentalist Christians with problems and secrets of their own. Andrew is curiously drawn to their consuming beliefs, but why? Is it only to get closer to Laura? And is Laura genuinely interested in Andrew, or is she just trying to convert him?
This provocative and compelling debut novel will resonate deeply with readers as it explores questions of identity, sexuality, and spirituality.
This is a novel about the persistence of longing in which the twin lives of the title character blur and overlap. Bird puts her child on the bus for school and passes the day with her baby. Interwoven into the passage of the day are phone calls from a promiscuous, unmarried friend, and Bird’s recollection of the feral, reckless love she knew as a young woman. It’s a day infused with fear and longing, an exploration of the ways the past shapes and dislodges the present.
In the present moment, Bird dutifully cares for her husband, infant, older child. But at the same time Bird inhabits this rehabilitated domestic life, she re-lives an unshakeable passion: Mickey, the lover she returns to with what feels like a migratory impulse, Mickey, whose movements and current lovers she still tracks. With Mickey, she slummed and wandered—part-time junkie, tourist of the low-life—a life of tantalizing peril. This can’t last, Bird thought, and it was true.
Noy Holland’s writing is lyrical, fired by a heightened eroticism in which every sight and auditory sensation is charged with arousal. The writing in this book – Noy Holland’s first novel — is fearless in its depiction of sexual appetite and obsessive love. It sheds light on the terror of abandonment and the terrible knowledge that we are helpless to protect not only ourselves but the people we most love.
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