Do you want to be on the forefront of literature? Read the books right of the press, the ink still wet on the page? We handpick the best of the best of the newest of the newest books for you every week. Books that seem interesting to us and that you might like as well.
This week we have the new Elizabeth Wein, a collection of essays about not having children and a novel about girls who love metal and bloodshed.
Emilia and Teo’s lives changed in a fiery, terrifying instant when a bird strike brought down the plane their stunt pilot mothers were flying. Teo’s mother died immediately, but Em’s survived, determined to raise Teo according to his late mother’s wishes-in a place where he won’t be discriminated against because of the color of his skin. But in 1930s America, a white woman raising a black adoptive son alongside a white daughter is too often seen as a threat.
Seeking a home where her children won’t be held back by ethnicity or gender, Rhoda brings Em and Teo to Ethiopia, and all three fall in love with the beautiful, peaceful country. But that peace is shattered by the threat of war with Italy, and teenage Em and Teo are drawn into the conflict. Will their devotion to their country, its culture and people, and each other be their downfall or their salvation?
In the tradition of her award-winning and bestselling Code Name Verity, Elizabeth Wein brings us another thrilling and deeply affecting novel that explores the bonds of friendship, the resilience of young pilots, and the strength of the human spirit.
One of the main topics of cultural conversation during the last decade was the supposed “fertility crisis,” and whether modern women could figure out a way to way to have it all–a successful, demanding career and the required 2.3 children–before their biological clock stopped ticking. Now, however, conversation has turned to whether it’s necessary to have it all or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.
In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, offer a unique perspective on the overwhelming cultural pressure of parenthood.
Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.
Rachel feels like she doesn’t fit in — until she finds heavy metal and meets Fern, a kindred spirit. The two form their own band, but the metal scene turns out to be no different than the misogynist world they want to change. Violent encounters escalate, and the friends decide there’s only one way forward . . .
A bloodstained journey into the dark heart of the music industry, Boring Girls traces Rachel’s deadly coming-of-age, Fern at her side — as the madness deepens, their band’s success heightens, and their taste for revenge grows ravenous.
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